War (originally called Eric Burdon and War) is an American funk band from California, known for the hit songs "Low Rider", "Spill the Wine", "Summer", "Why Can't We Be Friends?", "The Cisco Kid", and "The World Is a Ghetto". Formed in 1969, War was a musical crossover band which fused elements of rock, funk, jazz, Latin, rhythm and blues, and reggae.[1] The band also transcended racial and cultural barriers with a multi-ethnic line-up. War was also subject to many line-up changes over the course of its formation, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up.

War's third album as an act separate from Eric Burdon was also far and away their most popular, the group's only long-player to top the pop charts. The culmination of everything they'd been shooting for creatively on their two prior albums, it featured work in both succinct pop-accessible idioms ("The Cisco Kid," etc.) as well as challenging extended pieces such as the 13-minute "City, Country, City" -- which offered featured spots to all seven members without ever seeming disjointed -- and the title track, and encompass not only soul and funk but elements of blues and psychedelia on works such as the exquisite "Four Cornered Room." "The Cisco Kid" and "The World Is a Ghetto" understandably dominated the album's exposure, but there's much more to enjoy here, even decades on. Beyond the quality of the musicianship, the classy, forward-looking production has held up remarkably well, and not just on the most famous cuts here; indeed, The World Is a Ghetto is of a piece with Marvin Gaye's What's Going On and Curtis Mayfield's Curtis, utilizing the most sophisticated studio techniques of the era. Not only does it sound great, but there are important touches such as the phasing in "Four Cornered Room," not only on the percussion but also on the vocals, guitars, and other instruments, and the overall effect is a seemingly contradictory (yet eminently workable) shimmering blues, even working in a mournful and unadorned harmonica amid the more complex sounds.

About the Mastering:
This project, from the original album to the four newly discovered bonus tracks, was created from the original analog masters provided by the group’s producer, Jerry Goldstein. All materials were sourced and mastered by Pete Doell at Universal Mastering Studios-West at 96kHz/24-bit. 

For the liner notes, change the pdfX extension into pdf.

HDtracks PCM 24Bit-96Khz-FLAC